Knowledge & Networks II

Aisemberg, Paula, Sigrid Dahle, Hervé di Rosa, Noam Gonick, and Anthony Kiendl, curators. My Winnipeg. Exhibition catalogue. Plug In Editions with FAGE, la maison rouge, et. al., c. 2011.

Allon, Fiona. “Litter and Monuments: Rights to the City in Berlin and Sydney,” Space and Culture (special issue on "Urban Citizenship") 16:3 (August 2016), 254.

Awan, Nishat, Tatjana Schneider and Jeremy Till. Spatial Agency: Other Ways of Doing Architecture. London: Routledge, 2011. 

Bacharach, Sondra, Siv B. Fjærestad, and Jeremy Neil Booth, eds. Collaborative Art in the Twenty-First Century. London: Routledge, 2016.

Belting, Hans, Andrea Buddenseig, and Peter Weibel, eds. The Global Contemporary and the Rise of New Art Worlds. Karlsruhe and Cambridge: Center for Art and Media and MIT Press, 2013.

[La] Biennale de Montréal. L’Avenir (Looking Forward). Exh. cat. by Gregory Burke, et al., 2015.

–. Le Grand Balcon/The Grand Balcony. Exh. cat. by Philippe Pirotte, et al., 2016.

Bishop, Claire. “Antagonism and Relational Aesthetics,” October 110 (autumn 2004): 51-79.

Bronson, AA. “The Humiliation of the Bureaucrat: Artist-run Spaces as Museums by Artists.” In P. Gale and Bronson, eds., Museums by Artists. Toronto: Art Metropole, 1983, 29-37.

Butler-Palmer, Carolyn. “Big Art History: Art History as Social Knowledge,” Journal of Canadian Art History/Annales d’histoire de l’art canadien 34:1 (2013): 148-165.

CCCA (Centre for Contemporary Canadian Art) and Winnipeg Art Gallery. “The Winnipeg Effect: Should I Stay or Should I Go?” Accessed 3 January 2018.
http://wag.ca/uploads/ck/files/Winnipeg%20Effect%20Symposium%20Program.pdf

Clausen, Barbara, Philip Auslander, et al. After the Act: The Representation of Performance Art. Vienna, Austria: Museum Moderner Kunst Stiftung Ludwig Wien, 2007.

Claxton, Dana. “Going to the Centre: Performance Works and Other Thoughts.” Canadian Theatre Review 146, no. 146 (2011): 28-31.

Crawford, Margaret. “Rethinking ‘Rights’, Rethinking ‘Cities’: A Response to David Harvey’s ‘The Right to the City.’” Z. Begg and L. Stickells, eds. The Right to the City. Sydney: Tin Sheds Gallery, 2011. 33-37.

Cutler, Randy Lee. “O My Friends...: On Friendship and Artistic Practice.” In Fire/Fire: akhavan/roy. Exhibition catalogue. Vancouver: Malaspina Printmakers, 2014.

Davis, Heather, ed. Desire Change: Contemporary Feminist Art in Canada. Montreal and Winnipeg: McGill-Queen’s University Press and Mentoring Artists for Women’s Art (MAWA), 2017.

Dewan, Deepali, with Elspeth Brown and Thy Phu. “The Family Camera Network.” Photography and Culture 10:2 (2017): 147-163.

Farias, Ignacio Farias, and Thomas Bender, eds. Urban Assemblages: How Actor-Network Theory Changes Urban Studies. New York and Abingdon, UK: Routledge, 2010.

Farrell Racette, Sherry, ed. Close Encounters: the Next 500 Years. Winnipeg: Plug In, 2012. 

–, Crystal Migwans and Alan Corbiere. “Pieces Left Along the Trail: Material Culture Histories and Indigenous Studies.” In C. Andersen and J.M. O’Brien, eds. Sources and Methods in Indigenous Studies. New York: Routledge, 2016, 223-229.

Fisher, Jennifer, ed. Technologies of Intuition. Toronto and Winnipeg: YYZ Books and MAWA, 2006.

Fraser, Marie, Luis Jacob, David Liss and Anne-Marie Ninacs. Seeing and Believing/Tromper l’œil – Luis Jacob. London: Black Dog, 2015.

Garbow, Diane. "The Fragility of Sanctuary Cities," Anthropology News 57:10 (2016), e47-e49.

Goulet, L. M., & Goulet, K. N. “Iseechigehina, Planned Actions: Connection to the Process.” In Teaching Each Other: Nehinuw Concepts and Indigenous Pedagogies (133–157). Vancouver: University of British Columbia Press, 2014.

Greenberg, Reesa. “Archival Remembering Exhibitions,” Journal of Curatorial Studies 1:2 (June 2012): 159-177.

Hammond, Cynthia with Kathleen Vaughan and Emanuelle Dufour. “The ‘Art’ of the Right to the City: Interdisciplinary teaching and learning in Pointe-St-Charles, Montreal.” Learning Landscapes 10:1 (Autumn 2016): 387-418.

Haxthausen, Charles W., ed. The Two Art Histories: The Museum and the University. Williamstown MA: Clark Art Institute, 2002.

Huneault, Kristina and Janice Anderson. "A Past as Rich as Our Future Allows: An Historical Context for Feminist Art in Canada." In Heather Davis, ed. Desire/Change: Contemporary Feminist Art in Canada. Montreal and Kingston: McGill-Queen's University Press, 2016, 19-55.

Hunter, Andrew, Thériault, Michèle and Leonard and Bina Ellen Art Gallery. This is Montreal! Galerie Leonard et Bina Ellen, Montréal, 2008.

Igloliorte, Heather, Julie Nagam and Carla Taunton. “Introduction: The Future Possibilities of Indigenous Digital and New Media Art.” Special issue. PUBLIC 54 (Winter 2016): 5-13. 

Isaac, Jaimie. “Reflections on Unsettling Narratives of Denial.” In S. McCall and G. Hill, eds. The Land We Are Now: Writers and Artists Unsettle the Politics of Reconciliation. Winnipeg: Arbeiter Ring Press, 2015, 96-128.

Jacob, Luis. Form Follows Fiction: Art and Artists in Toronto. Exh. cat. Toronto: Black Dog, 2017.

Jacobs, Jane. The Death and Life of Great American Cities. New York: Vintage Books, 1961.

Jim, Alice Ming Wai. “Maraya’s Sisyphean Cart: Twinned Visions of Vancouver and Dubai.” In Langford, ed. Narratives Unfolding, 249-270.

Justina M. Barnicke Gallery and University of Toronto Art Centre. This is Paradise: Art and Artists in Toronto, 2018.
http://artmuseum.utoronto.ca/program/paradise-art-artists-toronto/

Langford, Martha, ed. Narratives Unfolding: National Art Histories in an Unfinished World. Montreal and Kingston: McGill-Queen’s University Press, 2017.

Lefebvre, Henri. The Urban Revolution (1970). Minneapolis/London: Univ. of Minnesota Press, 2003.

Lemire, Beverly, Janice Helland and Alena Buis, eds. Craft, Community and the Material Culture of Place and Politics, 19th – 20th Century. Burlington: Ashgate Publishing, 2014.

Massey, Doreen. For Space. London: Sage Publications, 2005.

Monk, Philip. Is Toronto Burning? Three Years in the Making (and unmaking) of the Toronto Art Scene. Toronto and London: Art Gallery of York University and Black Dog, 2016.

Nagam, Julie, and Carla Taunton. “Performing Memory: Embodied Interventions by Indigenous Women Artists.” In D. Claxton and E. Winton, eds., Insiders/Outsiders: The Cultural Politics and Ethics of Indigenous Representation and Participation in Canada’s Media Arts. Waterloo: Wilfrid Laurier University Press, 2018.

Nagam, Julie. “Museum Encounters of Another Kind: Indigenous Methodologies of Collaboration Lead the Charge.” Inuit Art Quarterly 30:2 (Summer 2017): 35-41.

O’Brian, Melanie, ed. Vancouver Art & Economies. Vancouver: Arsenal Pulp Press and Artspeak, 2007.

Robertson, Carmen, and Sherry Farrell Racette, eds. Clearing a Path: New Ways of Seeing Traditional Indigenous Art. Regina: Canadian Plains Research Centre, 2009.

Simpson, Robin. “Community in Camera.” In L. Blomgren, West of Eden. Vancouver: Presentation House Gallery, 2014.

Sloan, Johanne, ed. Urban Enigmas: Montreal, Toronto, and the Problem of Comparing Cities. Montreal and Kingston: McGill-Queen's University Press, 2007.

Sloan, Johanne. “Urban Art Histories,” in Langford, ed., Narratives Unfolding, 271-287.

Smith, Terry. “The State of Art History: Contemporary Art,” Art Bulletin 92:4 (2010): 366-83.

Vaughan, Kathleen, Cynthia Hammond, and Emanuelle Dufour. “The ‘Art’ of the Right to the City:

Interdisciplinary teaching and learning in Pointe-St-Charles, Montreal.” Learning Landscapes 10:1 (autumn 2016): 387-418.

Watson, Scott. “The Generic City and Its Discontents,” Arts Magazine 65:6 (February 1991): 60-64.

Weng, Xiaoyu. “The Archive in Exhibition Making: Material, Concept and Strategy,” Journal of Curatorial Studies 2:1 (February 2013): 70-89.